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Carlow County -
Ireland Genealogical Projects (IGP
TM)
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CINEMA & BALLROOM
My thanks to Mr Bill Muldowney
for providing me with some these photos.
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- The Ritz Cinema 1989
Source: The Nationalist "Carlow Changes" |
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1967 |
1968 |
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Above are the adverts that
appeared in the Carlow Nationalist newspapers each week telling you what
pictures were being shown at the Ritz that week. |
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| Source: Bill Muldowney and Merry
Kelly (nee Nolan) |
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- The Ritz
Cinema and Crotty's Bakery c1968
The Ritz Cinema opened in 1939.
A Hollywood actor came all the way over from America for the opening
ceremony. Admission price to the
pits cost 4d. In 1941 the Ritz management decided to raise this to 7d . 'Holy murder', pickets came from Graigue, and stood at the
Pit door so no person were allowed to go through.
The projectionist at the Ritz for many years was
Joe Carter of Burrin St, Carlow -Source:
Michael Cradden
Their argument was that no tax was payable on 4d, but above that
incurred a tax of 2d. So they were only getting 1d extra. Three weeks later, the
increase was scrapped.
See Foot Note below.

- The front entrance to the Ritz Cinema on Tullow
Street.
- The Ballroom was down the side road on the left.
- (Photo W. Muldowney)
(Photo W. Muldowney c1967 & 2006)
Here we have the side entrance in Charlotte Street to the Ritz Cinema
'Pit seats' in 1967. Further down on the right hand side
is the Ritz Ballroom.
P.J. TIERNEY AND HIS ORCHESTRA was one of the many
bands that would have played here during the 60's.
He was also did regular appearances at the
CROFTON HOTEL BALLROOM
The van on the left is delivering to Atkinsons Bicycle
Shop in Charlotte Street. This was where he used to store bicycles. The main
shop entrance was in Tullow Street.
Michael Scott
(Architect)
During the Second World
War, or the 'Emergency' as it was called in neutral Ireland, Scott's
practice operated out of accommodation in Clare Street, Dublin. It
survived on small commissions such as cinemas in Athlone and Clonmel
and interiors of public bars. Building materials and money were in
short supply and architects were hard hit. The artist Louis le
Brocquy (born 1916) who produced work for Scott during these years
wrote:
... things were not easy
for Michael either, as might be expected of an inspired contemporary
architect who repeatedly refused to compromise his growing vision, a
revelatory vision of plastic rectitude, of pure, unsentimental,
unadorned rightness.
Scott had been known to
walk away from commissions that he did not find challenging or
interesting. Increasingly he was passing on work and commissions
that he had received to young graduate architects whose work he
admired. The Ritz Cinema in Athlone (1939) is a case in point.
Although the design of the Ritz Cinema Carlow was attributed to
Michael Scott it was in fact designed by Bill O'Dwyer who was
working and studying in the office at that time. While it is
impossible for a successful architect to fully design all the
buildings that come into his practice, Scott seems to have produced
only rough sketches for the project leaving O'Dwyer to design the
building. O'Dwyer was to be responsible for many of the cinema
commissions undertaken by the firm in these years including two
other Ritz cinemas at Carlow and Clonmel which opened in 1940
Source:
http://www.archeire.com/michael_scott/emergency.html
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